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Dr. Prateek

Assistant Professor, Department of Humanities and Social Sciences,
BITS Pilani, Pilani Campus

Department of Humanities and Social Sciences,
Birla Institute of Technology & Science,
Pilani- 333031, Rajasthan. India.

Publications

Monograph(s) 

  • Brecht in India: The Poetics and Politics of Transcultural Theatre. London: Routledge, 2021. 

Journal Articles (Selected)

  • “Aboriginalizing Mother Courage: Brecht in Australia.” Journal of Postcolonial Writing 60.1 (2024): 84-98. (Scopus, Q1) https://muse.jhu.edu/article/929507https://doi.org/10.1080/17449855.2024.2305905
  • “Many Rammans in Uttarakhand: Jak and Bhumyal Renditions.” Theatre Journal 76.1 (2024): E-1-E-9. (Scopus, Q2)                                                          https://muse.jhu.edu/article/929507 
  • “Many Lives of Queer Performance in India: A Deliberation with Mahesh Dattani.” Contemporary Theatre Review 33.1-2 (2023): 154-157.  (Scopus, Q2) https://www.tandfonline.com/doi/full/10.1080/10486801.2023.2182079 
  • “Towards a Definition of Performance During the Covid-19 Pandemic: A Study of Ramlila in India.” Asian Theatre Journal 40.1 (2023):150-168.  (Scopus, Q2) https://muse.jhu.edu/article/886438
  • “Aunties are Voices from the Sky: Re-imagining Resistance in Bollywood.” South Asian Popular Culture 20.2 (2022): 247-260. (Scopus, Q1) https://doi.org/10.1080/14746689.2022.2089461
  • “Emergency’s Children: Satire in the Hindi Comics of Hawaldar Bahadur.” Journal of Graphic Novels and Comics 14.1 (2022): 70-88. (Scopus, Q1) https://doi.org/10.1080/21504857.2022.2038225
  • “The Politics of Dark Ecologies in Deepan Sivaraman’s Peer Gynt.” Performance Research 25.2 (2020): 134—140. (Scopus, Q2) https://doi.org/10.1080/13528165.2020.1752586
  • “Articulating Mountains Through Mofussil Aesthetics: A study of operatic theatre tradition in India.” Performance Research 24.3 (2019): 77—84. (Scopus, Q2) https://doi.org/10.1080/13528165.2019.1624040
  • “East Meets East: Recycling Brecht in India.” The Brecht Yearbook/Das Brecht-Jahrbuch 42 (2018): 137—151.
  • “Reinterpreting Passion: A Study of Habib Tanvir’s Theatre.” Australasian Drama Studies. 68 (2016): 168–186. (Scopus, Q3)
  • “Hubble-Bubble of Transcultural Encounters: A Study of the Social Life of the Hookah.” Transformations: Journal of Media & Culture. 27 (2016).
  • “Articulating Female Angst in Manipur: A Study of Mythical Surrender.” South Asian Review 34.3 (2013): 149–158. (Scopus, Q2) (with Krispa Ningombam)

Encyclopaedia Articles

  • “History of Reading.” Edited by D. Merskin. The Sage International Encyclopedia of Mass Media and Society, Vol 1. Thousand Oaks, CA: Sage Publications (2020): 1459-1461.
  • “Sri Lanka.” Edited by D. Merskin. The Sage International Encyclopedia of Mass Media and Society, Vol 1. Thousand Oaks, CA: Sage Publications (2020): 1666-1668.

Book Chapters

  • “Inward Bound: Self-Referentiality in Bombay Cinema.” Salaam Bollywood: Representations and Interpretations. Ed. Vikrant Kishore, Amit Sarwal and Parichay Patra. New York: Routledge, 2016. 80–90.
  • “Hinglish Cinema: The Confluence of East and West.” Bollywood and its Other(s): Towards New Configurations. Eds. Vikrant Kishore, Amit Sarwal, Parichay Patra. Sydney: Palgrave, 2014.161–173. (with Amit Sarwal)